![]() “At our deaths and at the apocalypse… (always looming, folks). “I wanted to write a song that presented a resigned, even joyful look at doom,” Byrne wrote in the liner notes of Once in a Lifetime: The Best of Talking Heads. The first of which remains the band’s best-selling album thanks to its highly accessible singles: ‘The Lady Don’t Mind’, ‘Road to Nowhere’, and ‘And She Was’.īelow, we bring you Byrne’s arresting isolated vocals from ‘Road to Nowhere’ supported by a wonderful gospel choir in the intro. Over the remainder of their time together, Talking Heads created three further studio albums, Little Creatures, True Stories and Naked. “I couldn’t believe it when David said to us, ‘Oh, well, we’re not going to tour anymore because the movie’s gonna tour for us,'” Weymouth said. It was thought that fans could experience the band live through the film instead while the band continued as a studio act through the remainder of the ’80s. Sadly, the concert film marked an end to Talking Heads tours. I thought, ‘This is really spiritual we’re really communicating some love here.'” I actually believed that we were doing something good. I had a prime position to be able to watch and enjoy the show, and I was just awed by everyone. ![]() I actually think – this is kind of a fantasy – but I felt that I was watching the show. And we were young, you know, so we could do it, we could really go there. But every time we got on stage, we were so energised. It was just the travelling and the work were exhausting. “Making that was a great, great time,” Weymouth told Far Out in a recent interview. The film saw the band perform live from Hollywood’s Pantages Theater with an extended cast of musicians, backing singers and choreographers through a blazing, animated set packed with big hits and Byrne’s famous “big suit”. This emphatic release was followed a year later by Talking Heads’ landmark concert film, Stop Making Sense.
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